35mm, Film, 35mm, and scans, Uncategorized, Yashica T2

Losing wind

New World

I tried doing something different.  I tried to give the home developed b/w film a rest, and to concentrate on using up some Poundland C41 colour 35mm film in the Yashica T2.

I don’t like it.  I don’t like the results.  That, combined with the winter light, work pressure, and lack of travel, has killed my photography.  I don’t like the results.  I’m finding myself looking at and appreciating more b/w film than ever.  I lost something.  I’m not going to abandon the Yashica T2 yet, but I’m abandoning the C41.  More Shanghai, Tmax, and Rollei film is on the way.  I miss my medium format as well.  The Bronica SQ-A is a great system camera – I want to use it again.

I’m not happy with my recent foray into C41 35mm.  I need to sniff fixer again.  All that it has taught me is to appreciate the beauty of b/w film photography more.

Above photo taken on the Yashica T2 and Poundland film in Norwich.

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35mm

A 1980’s 35mm Compact Camera

Yashica T2 testing the autofocus in Wisbech Park. Ilford HP5+ film. Developed in Ilford LC29. Scanned on Epson V500.

I don’t often get an urge for a camera, but just lately, I’ve had some kind of nostalgic desire to get hold of a half decent 1980’s 35mm film compact camera, and yesterday, I got one.

Back in the early 1980’s, I couldn’t afford a decent SLR camera.  My brother bought this knock out Canon AE1 35mm SLR.  I was bowled over by it, but there was no way that I could go without beer long enough in order to buy one.  My Bro recommended that I bought a “35mm compact camera”.  Until then, other than a brief flirtation with a Yashica TLR, I’d only ever owned 126 film Kodak Instamatics, a Polaroid, and God awful 110 pocket cameras.  So a half decent 35mm compact would be a step up!  A visit to a Norwich camera shop, and I purchased one.  I can’t remember which one!  It may have been a Canon AF35M.  Anyway, I remember a salesman trying to explain to me about lens quality.  As they usually did.  I do remember that this 35mm compact camera had state of the art gadgets, including a newfangled space age auto focus, and motorised film advance.  Wow.  I remember reading the user manual about this head screwing technology.

I continued to use 35mm AF compact cameras (with a brief flirtation with Kodak disc film) all the way until I discovered digital around 2003.  Digital came in, 35mm film compact cameras went the way of the dinosaur.  They cram boxes in charity shops and in car boot sales.  Yesterday’s technology.  Most of these 35mm film compact cameras were not anything special.  However, a small number of them were something a bit special.  The Yashica and Contax T series of compacts, were manufactured with highly reputable 35mm f/3.5 Carl Zeiss T* Tessar lenses.  Collectors and those in the know, stalk car boots looking for these treasures.  A VGC Yashica T4 or T5 fetches three figures from the collectors and hipsters on Ebay.  I kid you not, a good GBP £120 – £220 for a compact film camera.  These are not rubbish cameras.

My relatively old and lower status T2 (manufactured c1986) cost me considerably less than that, but just hearing that motorised film advance and rewind sends me back thirty years ago.  I only received it yesterday, I want to use up some Poundland C-41 film in it.  A fun camera to carry around.  I ran a test film through it yesterday, a spare 35mm cassette of Ilford HP5+ that I could quickly develop, then dry overnight.  It works (unlike the last T2 that I bought – see a few posts back).

The above photo is nothing special, except that it demonstrates the daylight flash function, the auto focus works (although this is not an action AF), and the lens does give good shallow DOF when required.

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35mm

A sudden yearning

Yashica T2 35mm compact camera. AgfaPhoto Vista Plus 200 film from Poundland. A bit of post scanned neg. post process on Gimp 2.8 software.

I have this sudden yearning to use a Yashica T series compact camera with a bit of colour film.  I did buy a Yashica T2 three years ago – and used it to take the above photo.  The camera that I bought though was sick.  After one test film, I put it back down.  Not long after, I discovered the 50p camera – my Olympus XA2, then moved onto home developed b/w film.

It has been said that a truly creative photographer can use any camera to make good photography.  However, gear is still important.  We do become attached to our cameras.  I’m interested in photographs that portray this, that show people with their cameras.  Are cameras like pets?  Do their owners resemble them?  I love seeing young film photographers on Flickr and Tumblr, flaunting their vintage cameras.  There is something personal about a camera.  It is not just about function.  If it is, then I suggest that you buy whatever the latest magazine bench mark tells you to, no doubt some Canikon DSLR.

Back in the 1980s and 1990s I couldn’t afford a “proper” camera.  No classic SLRs for me back then.  However, I did graduate from some pretty awful Polaroids, 126 Kodaks, and 110 pocket cameras to owning a series of 35mm compact cameras.  Autofocus and motor film wind were amongst the cool features of this breed.  Some of them, including the Yashica T series, even sported posh lens.  There were 35mm compact cameras, then there were 35mm compact cameras with Carl Zeiss.

As above.

I think my yearning now may be based on a nostalgia for those cameras.  I want to hear the motor winding the film on and then back.  I want to manipulate that auto focus.  I want to see if people on the street recognise that I’m using an artefact from 1980s culture, if they look around when they hear the motor.  Will young people wonder what that was?

Yes, you’ve guessed it, a T2 is already on it’s way to me.  I’ve finally given up looking for one at the car boot sales.  I’ve even decided on the first test film – an unloved 35mm Kodak Color film sitting on a bedroom shelf, that was given to me.  Fingers crossed that this one isn’t sick.

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Film

Photography – my local, my style

The Time Traveller

The Empire Strikes Back

This follows on from my last post, in which I discuss Eric Kim’s excellent blog post: How to be Happy in All Circumstances in Photography.  Eric didn’t just discuss happiness in relationship to Gear constraints.  He also discusses happiness in photography, in relation to other constraints such as location and available time.

We don’t all live in a Mecca of Street Photography, such as New York.  I’ve been guilty of this one myself.  I live in the sticks, the provinces.  Crap end of the English Fens.  Not exactly urban decay.  And yet, what an idiot that makes me.  Who said that Street needs to be urban big-city?  When I open my eyes, I’m living on the edge of a small town that has clearly seen better, more lucrative times, when it was a port on the Wash.  In addition to the local decay, the town is full of local English characters, blending nicely next to crowds of recent immigrants from across the European Union.  I have tonnes of local material, who needs New York?  I can capture history, I can try to capture the feeling and atmosphere of small town provincial Eastern England.

The point is to enjoy doing this.  To make photography fun, hopefully sometimes creative or aesthetic, but also to have fun.  Some people might feel the need to buy the latest Canikon fullframe DSLR, complete with a suitcase of lenses, and of course, a whopping big Canikon emblazoned camera back pack.  But do they really have more fun than I do with my battered 50p Olympus XA2 pocket camera and home developed b/w film?

This is kind of leading me to that other sought after thing – personal style.  I feel that a lot of people miss out on this point. They are often subconsciously directed by the media, to produce the same sort of images as each other.  Shiny, sharp, beautiful colours.  Heavy post process software manipulation – you can see where many follow the same guides and tutorials from the same magazines and websites.  Maybe I’m being unfair to criticise this school of photography.  Perhaps because I am such an untidy, messy, archaic person in Life – this messiness and imperfection shows in my photography.  I simply can not be bothered with creating the perfect still photography.

So that is my style – as I am.  Messy, politically conscious, interested in people, and of course tight fisted.  All photographs on this post taken with the battered 50p Olympus XA2 pocket camera and bathroom developed b/w 35mm film.

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50p camera

I can do a handstand

Olympus XA2 compact camera. Ilford HP5 Plus 35mm film. Home developed with Ilford LC29.

I think that the 50p Camera handled the above photo quite well.  Taken on a recent visit to London, in Leicester Square of a group of street dancers.  Yeah, it has a tilt, but I think that the tilt works quite well on this sort of scene – I like the other dancers and legs sticking caught on the edge of the photo.

I’m quite liking the Ilford LC29 developer, although at 1:19, I’m not sure if it is that a great value.  I might perhaps use LC29 on my faster films, and use a Rodinal solution on slower films.  Does that make any sense?

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50p camera

Can I take your Photo?

50p Camera Project. Olympus XA2. Kodak T-Max 400 film. Developed in LC29.

I enjoyed taking the above photo.  I was visiting Camden Market in London, and snapped him with the crafty little XA2 before he could even pitch his Polaroid instant photo sale to me.  Hah hah!  The 50p Camera is l33t!

I’m trying out some posh film – Kodak T-Max 400 here.  Developed in LC29 at 1:19.

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Uncategorized

Different schools, different budgetary requirements.

This could read “I’m a multinational Corporation, Feed me”.  At least for the sake of this post, inspired by Ian.  When I first started this blog, I was using a cheap used DSLR fitted with an old manual focus prime lens as my number one camera.  I guess that is why I felt entitled to use the name “tight fisted photographer”.  I had no idea how tight fisted I was to become, after I started to use car boot sale film cameras, peaking with the 50p Camera Project.  The message of this blog has always been very simple:  you do not have to spend lots of money in order to enjoy photography.  You do not have to spend a lot of money in order to make interesting, aesthetic images.  I felt that this message was important, because the markets, and the magazines that they control, deceive many enthusiasts into believing otherwise.

Now I feel that I need to refine my message slightly.  I do very much concede that some schools of photography are more cutting edge technology driven than others.  For example, I can fully understand the hefty budgets of a digital wild-life photographer, or a macro enthusiast.  Even some forms of landscape – such as Ian’s example of an incredibly sharp and detailed panoramic.  A sports photography enthusiast is going to want a digital sensor that is fast and smooth, with a lightning speed electronic shutter, burst modes, and a fast zoom lens with shake reduction to boot.

However, in my opinion, this madness extends into schools of amateur photography do not benefit in terms of value, from market driven gear acquisition.  We are not professionals.  We are amateurs and photography enthusiasts.  We do not need that upgrade.  If you want to create imagery like HCB, then you can do that equally well on an ancient 35mm film camera – a full frame sensor will not help you iota.

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50p camera

Dogs about town

Anyone who knows my meagre efforts at photography, will be well aware that I have a penchant for the dogs.  I often try my hand at dog portraiture.  I am also building up a bit of a collection of dogs in the street, often taken on 35mm film using my 50p XA2 camera.  I could pursue that as a theme.  People rarely object to you taking photos of their beloved pets.

Here are a couple of very recent examples.  Taken in Wisbech using the 50p Camera, loaded with Ilford HP5 Plus film, which I then developed in Kodak D76 stock.

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Olympus XA-2 - 50p camera project II

Maria’s

Olympus XA2 compact camera. Ilford HP5+ b/w 35mm film. Developed in Kodak D76 stock. Scanned on a V500.

The two Ilford films from the XA2 (the 50p Camera Project) are dried and scanned.  The above is one of my favourites.  A candid taken at the burger van of a local mid week car boot sale.  I think that it captures the atmosphere of such an event quite well.  Car boot sales, auctions, and Sunday markets are great places to catch interesting people.

I developed in D-76 stock, which might have made the HP5 a little grainy, but as any regular readers will know, I don’t shy away from the rough.  It adds I think to the feeling of the photograph.  Anyway, I wanted to use the developer up, as it wasn’t well stored, and I’m keen to give a bottle of Ilford LC29 a go next.

I guess that is one of the attractions of film and even hybrid photography – we have so many different films, developers, and processes available still, each of which will affect the final image.

Next in the XA2 will be a couple of Poundland C41 films.

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