Some of my favourite black and white film results from the XA2.
All captured on home developed, then scanned 35mm b/w film. All in the Olympus XA2 camera that cost 50p (USD 70 cents) from a car boot sale.
This post was inspired by Les. He said that a lot of Flickr photographers don’t post a photo of a dog, unless it’s a work of art, but dogs are very much a part of many of our life’s (not a quote).
I’ve noticed on a few photography forums, that the majority of film photographers, just like digital photographers, do concentrate on quality. Quality in terms of sharpness, exposure, depth, colour, focus, grain/noise, as well as composition. Except for composition, most of these attributes are of technical origin. That is good. However, this can develop into the obsession held in modern digital photography, for technical perfection. More megapixels, more sharpness, etc.
As photography enthusiasts, should we always obey the rules of technical perfection? I’d argue, no. As Les suggested, it could be more fundamental to photography, that we photograph life and our environment as we see it. A record rather than a work of art. That does not always mean a sharp perfect image – we don’t really see the world like that. Our brains use our biological eyes like third rate scanners. Much of what we think we see, has been filled in by the brain. But we see signs, smiles, danger, sex, and … dogs (edit. I nearly said and rock n’ roll).
In film, we are the alternative. We have the opportunity to capture what is important, rather than to burst mode thousands of bytes of robot controlled perfection.
This one recently captured on a Kodak Tmax 400 film in my 50p camera, the Olympus XA2. I liked the textures of the old brick and stone work, with the chain curtain hanging in the doorway, I saw the cyclist coming, so saw it as a chance to put some animation and Life into the frame. I didn’t see him look at me until I scanned the developed film.
I can’t see no end to this 50p Camera Project, not unless I manage to smash the XA2 (I have dropped it several times). Still, it continues to produce photography that I like – even if it is too lo-fi for the taste of the modern online crowds.
Caught during a heritage day in Wisbech. I have no idea what Star Wars has to do with local heritage. Lucky though, I had my 50p camera in my pocket. You never know what you might bump into. I quite like the lady in the background.
Apologies first for being a Flickr and click whore. I’m well aware how shallow and meaningless that is. So don’t go thinking that I’m not concerned myself, how we are all directed to respond to Likes and Faves in our day to day life.
That out of the way, I’ve selected the above photo for this post. It’s one that got away on Flickr. Not much in the way of clicks or likes, but I “like” it myself. I guess it is the opposite phenomena to some of my photos that have made it into the Flickr Explore category, even though I think that they are horrible.
This photo is part of the 50p Camera Project – having been taken on my humble and very abused Olympus XA2 compact camera. It was taken in Wisbech at the Thomas Clarkson Memorial. Clarkson was an English slavery abolitionist, born here in Wisbech.
I’m not sure what the woman’s posture was about – probably struggling to use a mobile phone while carrying shopping, but it seems to me to say something with the image of a manacled slave next to her. What it says is up to you.
I think that the 50p Camera handled the above photo quite well. Taken on a recent visit to London, in Leicester Square of a group of street dancers. Yeah, it has a tilt, but I think that the tilt works quite well on this sort of scene – I like the other dancers and legs sticking caught on the edge of the photo.
I’m quite liking the Ilford LC29 developer, although at 1:19, I’m not sure if it is that a great value. I might perhaps use LC29 on my faster films, and use a Rodinal solution on slower films. Does that make any sense?
I enjoyed taking the above photo. I was visiting Camden Market in London, and snapped him with the crafty little XA2 before he could even pitch his Polaroid instant photo sale to me. Hah hah! The 50p Camera is l33t!
I’m trying out some posh film – Kodak T-Max 400 here. Developed in LC29 at 1:19.