35mm, Film, 35mm, and scans, Uncategorized, Yashica T2

Losing wind

New World

I tried doing something different.  I tried to give the home developed b/w film a rest, and to concentrate on using up some Poundland C41 colour 35mm film in the Yashica T2.

I don’t like it.  I don’t like the results.  That, combined with the winter light, work pressure, and lack of travel, has killed my photography.  I don’t like the results.  I’m finding myself looking at and appreciating more b/w film than ever.  I lost something.  I’m not going to abandon the Yashica T2 yet, but I’m abandoning the C41.  More Shanghai, Tmax, and Rollei film is on the way.  I miss my medium format as well.  The Bronica SQ-A is a great system camera – I want to use it again.

I’m not happy with my recent foray into C41 35mm.  I need to sniff fixer again.  All that it has taught me is to appreciate the beauty of b/w film photography more.

Above photo taken on the Yashica T2 and Poundland film in Norwich.

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35mm, Yashica T2

Yashica T2 V Olympus XA2

Yashica T2 loaded with AgfaPhoto Vista Plus 400 film.

I’ve been forcing myself to give both the 50p Camera (Olympus XA2), and b/w film a rest.  Instead, the little time that I’ve had for photography, I’ve been using my Yashica T2 AF compact camera, loaded with cheap C41 colour film.  Although I love b/w, the reality is that I have plenty of Poundland film in the fridge / freezer, that I bought a few years ago, for a quid each.  Nice 36 exposure 200, and a few 24 x 400 AgfaPhoto Visa Plus.  I can get C41 processed by a good local photolab for £2.50.  This makes the film/process cost cheaper than any b/w film, at 9p per exposure on the 36 shot films.  In addition, it seems a positive thing to embrace different gear and media on occasion.

The above photo was exposed onto the faster Poundland that was circulating a year or two ago, the AgfaPhoto Vista Plus 400.  I like it so much, I’m going to use up my last few cassettes of it next.

Using the Yashica T2 V Olympus XA2

I have been using the Olympus XA2 (c.1982) for a few years now, for opportunistic, snapshot, street, etc.  How does the Yashica T2 (c.1986) compare? They are very different 1980s 35mm film compact cameras.

Portability.  The XA2 wins hands down.  It is so small, it’ll fit in most pockets.  As my XA2 is so battered anyway, I don’t care too much if it rattles against other debris in the pocket such as coins, even keys.  The clamshell lens cover protects well.  The Yash T2 is very pretty, but actually quite bulky.  I don’t want it bashed, it’s so good condition, so I have to hang it around my neck with it’s wallet on.

Focus.  The XA2 uses a simple 3 zone focus.  You have three fixed focuses to manually select from.  The default is pretty cool for street.  It’s a fast, silent, simple system.  The T2 on the other hand uses an early (1986) Auto-focus system.  It’s slow and clumsy compared with modern auto focus, and pretty crap at a moving subject.  However, when it hits, it’s sharp compared to the zone focus XA2.  Better than the XA2 on still or very slow subjects.  The XA2 wins for quick snapshots at moving subjects.  The T2 makes nice portraits, aided by it’s Carl Zeiss T* Tessar lens.

Street Stealth.  No competition.  The XA2 wins.  I’ve heard the Yashica T series being hailed as stealth street cameras.  Bollocks they are.  They are actually pretty bulky for a compact 35mm.  The AF slows you down.  The biggest problem for stealth however, is the loud film motor drive.  It’s part of the nostalgic attraction of it, but for stealth, it’s like a loud hailer shouting “look at me, I’m taking photos of you!”.  The T2 is NOT a stealth street camera.  The XA2 is.  The XA2 is tiny, and in experienced hands, the 3 zone focus is fast and silent.  In my opinion, a far better street camera than any SLR.  I even once took a candid of two photographers, one a pro, a metre away.  The pro heard the shutter, but looked all around.  The XA2 was out of sight.  Quite funny really.

Quality.  I’m not a huge fan of image technical perfection, but this is where the T2 does finally win over the XA2.  The hipster rated Carl Zeiss lens, and AF makes for better Q.  The scanned negatives are sharper.  The XA2 does, if it hits perfect optimum focus, still make some sharp clear photos, but a lot of the time you are playing in the focus zone out of optimum.

Happiness.  I’m a big fan of what fun a camera brings.  I’ve maybe thrashed and done so much with the XA2, that I need to put it down for a few months, in order to appreciate it again.  For now, I really am getting happiness from the Yashica T2.  I feel that despite it’s failings as a fast stealth camera,  I’m smiling when I take a snapshot.

Either camera, I believe this is what 35mm film was meant to be.  Miniature, portable, point & shoot.  George Eastman’s vision come true.  This is what I use 35mm film for.  How about you?

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35mm, Rants and discussions

On taking snapshots

Focus

I may have been a photography enthusiast for around ten years, but I have been a snap shooter for more than forty years.  I keep thinking about the snapshot recently.  Les brought it to my mind, with his comments, but it’s been floating around longer.  What is a snapshot.  Should we embrace it?  Kodak promoted it for decades, the brain child of George Eastman.  A Kodak Moment. 

Many serious photographers would perhaps regard someone calling one of their images a snapshot, as a slight insult.  Snap-shot suggests a point & shoot capture.  Something quickly captured with no regard to setting up a scene, lighting, or using professional photographic technology.

Yet, let’s think about this.  Some forms of “serious” photography are often snapshot.  I am of course referring to Candid and Street Photography.  Were HCB’s wonderful photographs, not sometimes, very well spotted and composed … snap shots?  Is it the subject or the intention behind an image then, that can either make it a snap shot or a “serious” image?  Is the above a snapshot?  It was a candid, a quick opportunity.  Sure I was using a very manual, medium format film SLR camera – but not so technically cumbersome that I couldn’t grab that photo before the guy saw me.  I snapped a shot of him quickly.  Maybe it’s more about intent?  I didn’t know this guy. He never even saw me creeping up to him with my Bronica.

I grew up way back in the Age of Film.  As a child, I loved dipping into the shoe boxes of old family photos.  I started contributing to them at the age of eleven, via my Kodak Instamatic camera.  Snapshots.  I kept it up for years and years with p&s classes of cameras – into the Age of Digital.  I collated a serious of photograph albums, that I regarded as my life-diary, from childhood, to fatherhood.  The Internet and social media interrupted that.  I became more serious about photography.

Family Snapshot. 1999.

I’ve been thinking about this more, while using my 35mm film compact cameras, including an autofocus from the 80s.

I’m aware that much of my photography though, is still snapshot.  Should I cull it?  Should I instead only e-publish or print only my very best, carefully composed masterpieces (as if I had any!)?  At the moment I think not.  I’m starting to appreciate the snapshot.  Even the domestic family snapshot.  I remember that old shoebox.  I keep an eye out for old photos and slides at car boot sales.  I notice many young people on Flickr and Tumblr, using film, to make their own snapshots, sometimes in an almost creative or unique way, different from those that we made in Our Day.  Film snapshot photography in the Digital Age.

Let’s embrace the snapshot.  It shows real life.

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35mm, wisbech

A mural

Wisbech – the New Europe.

I took this photograph last week in Wisbech.  I had the Yashica T2 AF compact camera loaded with cheap Kodak ColorPlus 200 film (given to me with some prints from a photolab).  I do not like C41, so I had the film processed at my local photolab.  Only £2.50 per film, develop only.  I have so much Poundland film to use up!

I’ve written extensively before, that Wisbech is a very much a part of the New EU England, with a very high percentage of immigration from Lithuania, Latvia, Poland, Romania, Bulgaria, and Russia (or ethnic Russian).  Immigrants have been flooding to the area for quite a few years now, often attracted initially by the work in local agriculture, food packing, and general farm work, or food factory work.

As an amateur photographer, I see this as history in the making.   Something very worthy of recording, and it is about people.  The above photograph is of someone else’s mural and creativity, although I tried to add to that by capturing with the surroundings of the old Wisbech wall, with all of it’s features.

The mural itself shows the River Danube, sneaking through SE Europe, with the flags of Romania, Bulgaria, and Hungary added – the EU nations of SE Europe.  I don’t know if the artist has added any nationalist agendas to the mural.  Some of the names are in Cyrillic, maybe for the Bulgarians?The mural itself is painted on the rear of a “European” shop.  When it opens, I’ll have to pop in and find out more about it.

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35mm

A 1980’s 35mm Compact Camera

Yashica T2 testing the autofocus in Wisbech Park. Ilford HP5+ film. Developed in Ilford LC29. Scanned on Epson V500.

I don’t often get an urge for a camera, but just lately, I’ve had some kind of nostalgic desire to get hold of a half decent 1980’s 35mm film compact camera, and yesterday, I got one.

Back in the early 1980’s, I couldn’t afford a decent SLR camera.  My brother bought this knock out Canon AE1 35mm SLR.  I was bowled over by it, but there was no way that I could go without beer long enough in order to buy one.  My Bro recommended that I bought a “35mm compact camera”.  Until then, other than a brief flirtation with a Yashica TLR, I’d only ever owned 126 film Kodak Instamatics, a Polaroid, and God awful 110 pocket cameras.  So a half decent 35mm compact would be a step up!  A visit to a Norwich camera shop, and I purchased one.  I can’t remember which one!  It may have been a Canon AF35M.  Anyway, I remember a salesman trying to explain to me about lens quality.  As they usually did.  I do remember that this 35mm compact camera had state of the art gadgets, including a newfangled space age auto focus, and motorised film advance.  Wow.  I remember reading the user manual about this head screwing technology.

I continued to use 35mm AF compact cameras (with a brief flirtation with Kodak disc film) all the way until I discovered digital around 2003.  Digital came in, 35mm film compact cameras went the way of the dinosaur.  They cram boxes in charity shops and in car boot sales.  Yesterday’s technology.  Most of these 35mm film compact cameras were not anything special.  However, a small number of them were something a bit special.  The Yashica and Contax T series of compacts, were manufactured with highly reputable 35mm f/3.5 Carl Zeiss T* Tessar lenses.  Collectors and those in the know, stalk car boots looking for these treasures.  A VGC Yashica T4 or T5 fetches three figures from the collectors and hipsters on Ebay.  I kid you not, a good GBP £120 – £220 for a compact film camera.  These are not rubbish cameras.

My relatively old and lower status T2 (manufactured c1986) cost me considerably less than that, but just hearing that motorised film advance and rewind sends me back thirty years ago.  I only received it yesterday, I want to use up some Poundland C-41 film in it.  A fun camera to carry around.  I ran a test film through it yesterday, a spare 35mm cassette of Ilford HP5+ that I could quickly develop, then dry overnight.  It works (unlike the last T2 that I bought – see a few posts back).

The above photo is nothing special, except that it demonstrates the daylight flash function, the auto focus works (although this is not an action AF), and the lens does give good shallow DOF when required.

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35mm

A sudden yearning

Yashica T2 35mm compact camera. AgfaPhoto Vista Plus 200 film from Poundland. A bit of post scanned neg. post process on Gimp 2.8 software.

I have this sudden yearning to use a Yashica T series compact camera with a bit of colour film.  I did buy a Yashica T2 three years ago – and used it to take the above photo.  The camera that I bought though was sick.  After one test film, I put it back down.  Not long after, I discovered the 50p camera – my Olympus XA2, then moved onto home developed b/w film.

It has been said that a truly creative photographer can use any camera to make good photography.  However, gear is still important.  We do become attached to our cameras.  I’m interested in photographs that portray this, that show people with their cameras.  Are cameras like pets?  Do their owners resemble them?  I love seeing young film photographers on Flickr and Tumblr, flaunting their vintage cameras.  There is something personal about a camera.  It is not just about function.  If it is, then I suggest that you buy whatever the latest magazine bench mark tells you to, no doubt some Canikon DSLR.

Back in the 1980s and 1990s I couldn’t afford a “proper” camera.  No classic SLRs for me back then.  However, I did graduate from some pretty awful Polaroids, 126 Kodaks, and 110 pocket cameras to owning a series of 35mm compact cameras.  Autofocus and motor film wind were amongst the cool features of this breed.  Some of them, including the Yashica T series, even sported posh lens.  There were 35mm compact cameras, then there were 35mm compact cameras with Carl Zeiss.

As above.

I think my yearning now may be based on a nostalgia for those cameras.  I want to hear the motor winding the film on and then back.  I want to manipulate that auto focus.  I want to see if people on the street recognise that I’m using an artefact from 1980s culture, if they look around when they hear the motor.  Will young people wonder what that was?

Yes, you’ve guessed it, a T2 is already on it’s way to me.  I’ve finally given up looking for one at the car boot sales.  I’ve even decided on the first test film – an unloved 35mm Kodak Color film sitting on a bedroom shelf, that was given to me.  Fingers crossed that this one isn’t sick.

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35mm, Olympus XA-2 - 50p camera project II, Street and Protest

A Travelling Man

Wisbech car boot sale. Traveler and his dog. Olympus XA2 50p camera project. Ilford HP5+ b/w film. ID11. V500 scanned.

My favourite photography – both by other people, and myself, captures what i regard as the feeling of living some where, some corner of this earth – the locale.  this means trying to capture both the quirky, and the norm.  It includes the culture, the ethno diversity of the local people, the local sub cultures – with all of the nitty gritty – not the tourist view.

Let’s call it Anthrophotography.

I’ve made efforts already in capturing both local characters, and the immigration side.  Here at the local Sunday Market, I managed to capture another community that strongly figures in the area – the travellers.  And he’s got his dog.

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